Shantit Kranti This web series will release on Sonyliv on 13th August 2021. Shreyas (Abhay Mahajan), Prasanna (Lalit Prabhakar) and Dinar (Alok Rajwade) embark on another Goa trip which is like a friendship ritual for them. Are ardent fans of Dil Chahta Hai.
However, they instead land at an eco-retreat called Shantivan. This place opens many doors of self-realization and introspection for all three. Sathaye and McGlynn in a conversation with Mid-Day said that Shantit Kranti is not just a show but a lovely experience in life. This streaming platform where it is ready to release,
The result of a great partnership between their creative team and the set of talented actors who make this possible. Road trips, stories, created memories and experiences bring back nostalgia, unlimited laughs and lessons for life. He added, “The story will surely be loved by our viewers and we are hoping that they sit back and enjoy the ride.
Shantit Kranti Web Series Details
- Title Name: Shantit Kranti
- Genre: Drama
- Language: Marathi
- Platform: Sony Liv
- Release Date : 13 August 2021
- Director: Sarang Sathaye
- Star Cast: Abhay Mahajan, Lalit Prabhakar, Alok Rajwade
Shantit Kranti Web Series Cast
- Abhay Mahajan: Shreyas
- Lalit Prabhakar: Prasanna
- Alok Rajwade: Dinar
- Chetan Dange: Pradeep
- Paula McGlynn: Paula
- Dhananjay Sardeshpande: Dhumal kaka
- Shikha Talsania: Neha
- Suhita Thatte: Kaku
- Sagar Yadav: Shinde
- Ninad Gore: Chotu
- Vijay Nikam: Shankar
- Chaitanya Shivtare: Young Prasanna
- Abhir Upasani: Young Dinar
- Sachin Godbole: Young Shreyas
- Sakhi Gokhale: Rupali
- Vibhawari Deshpande: Anjali Mehta
- Mrinmayee Godbole: Nishi
- Jitendra Joshi: Gopi
Shantit Kranti Story
Marathi web series Shantit Kranti starring Abhay Mahajan, Lalit Prabhakar and Alok Rajwade in lead roles is coming on 13th August 2021. The series is about three friends who plan to go on a trip to Goa to escape their personal problems.
The trailer reveals that the road trip is a journey of self-discovery for each of them. Directors Sarang Sathaye and Paula McGlynn jointly co-hosted the series. The series will be Bollywood actress Shikha Talsania’s first Marathi language project.
Prasanna, Shreyas and Dinar experience a turning point in their trip to Goa when they end up at “Shanti Van” instead of sandy beaches dotted with thriving pubs. He planned the journey to enjoy and deal with his life’s issues like relationship insecurities, uncertainties of life and unfulfilled desires.
But now they have to spend their days in such a place where they have to abstain from the consumption of alcohol, instead they have to survive on tea. With no network coverage and a disciplined lifestyle on the cards, will travel be in their favor?
Directors Sarang Sathaye and Paula McGlynn have crafted a fine story of friendship, introspection and battling their insecurities and deepest fears. The protagonists share a loving relationship with each other, but each of them is attempting to cope with the pleasant realism of their lives.
The best aspect of Shantit Kranti is that the trio realize the brutal reality of their lives and decide to make a life-changing decision by any means organic.
There doesn’t seem to be anything compelling about their actions or the camaraderie with each other. His co-appointments at the retreat also play an important role in his introspection and decisions. Fine writings by Abhay Mahajan, Anusha Nandakumar, Chetan Dange and Sarang Sathaye keep the essence of the plot alive.
However, where the series fails, some scenes play no role in further enhancing the story. It is a bit confusing how Dinar (Alok Rajwade) suddenly becomes a ‘guru’ for some people by just day-drinking and giving some orthodox preaching.
It also has little to do with its final melting point in the end. The series would have looked more realistic if there had been more effort on the characters trying to work on the weaknesses and fears of Dinar and Shreyas’s (Abhay Mahajan) characters.
Whether it was Dinar’s fear of becoming like his alcoholic father or Prasanna trying to laugh at his nervousness, one could relate to his characters better if they tried to tackle these issues in a realistic way. Only Prasanna’s (Lalit Prabhakar) character has an arc where he reaches a crossroads and makes an important decision.
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